Difference between revisions of "Align a stack of photos"

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== Aligning with hugin ==
 
== Aligning with hugin ==
  
* Start up a new [[hugin]] project for each series and load the images.  Set the [[field of view]], [[lens correction model|lens parameters]] and [[projections|projection]] type, ie. if your lens is a [[fisheye Projection|fisheye]], set this for both the input and output projection.
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* Start up a new [[hugin]] project for each series and load the images.  Set the [[Field of View]], [[lens correction model|lens parameters]] and [[projections|projection]] type, ie. if your lens is a [[fisheye Projection|fisheye]], set this for both the input and output projection.
  
 
* Create a few hundred [[control points]] between each pair of consecutive photos with the '''g''' key in the '''control point''' tab.
 
* Create a few hundred [[control points]] between each pair of consecutive photos with the '''g''' key in the '''control point''' tab.

Revision as of 01:16, 16 March 2007

There are occasions where it is necessary to align a set of otherwise identical pictures:

  • Aligning red, green and blue channels to correct chromatic aberration.
  • Aligning photos taken over a period of time to create a time-lapse movie.
  • Aligning bracketed shots to create a single HDR or contrast blended image.
  • Aligning photos taken at different focus distances to merge into a single extended Depth of Field image.

Panorama tools is particularly useful for this process since it allows sub-pixel alignment and has a sophisticated lens correction model for applying distortion - Even photos taken years apart with different cameras can be aligned perfectly.

Most tools for HDR generation such as photomatix have some level of automatic alignment, so this may be sufficient for most purposes. Otherwise the hdrprep perl script automates the process described below:

Aligning with hugin

  • Create a few hundred control points between each pair of consecutive photos with the g key in the control point tab.
  • Fine tune all points and delete any with a correlation less than 90% (ie. enter -0.9 in select by distance and delete).
  • Optimise positions and delete any control points with an error greater than 0.2 pixels, reoptimise.
  • Adjust the field-of view in the stitching tab to something slightly smaller than the input size so there are no transparent edges.
  • Stitch to multiple TIFF format.